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conVERGE Residency Program
Applications for conVERGE 2025 close October 15th, 2025 (11:59 pm). All applicants will be notified of selection by October 24th, 2025.
conVERGE is a residency and mentorship program that supports emerging and early-career Indigenous, Black, and artists of colour to develop work, offered through a partnership between Intrepid Theatre and Puente Theatre.
The program was founded in 2021 by Mercedes Bátiz-Benét, artistic director of Puente Theatre, and Holly Lam, former associate producer at Intrepid Theatre. In its inaugural year, conVERGE won the CRD Community Impact Award at the 2021 Greater Victoria Regional Arts Awards.
Due to systemic discrimination, IBPoC artists face all kinds of barriers working in the arts and in the theatre sector, and there is a gap in mentorship and support across the industry, including here in our community on Lekwungen and WSÁNEĆ territories (Victoria).
The 2025 conVERGE residency will support one emerging or early-career local performance-based artists who identifies as IBPoC to develop a new or in-progress work.
The selected artist’s residency will take place at the Intrepid Studio, where they will advance their skills in a chosen focus area under the mentorship of an IBPoC professional, connect with other selected artists, receive an honorarium of $1,000, have opportunities to present their work, and benefit from additional support provided by program mentor and producer Mercedes Bátiz-Benét, Artistic Director of Puente Theatre.
To converge is to move toward one point or location, to unite in a common interest or focus, to come together. A verge is a brink, a threshold, an outer margin; as a verb, verge means to head in a certain direction; on the verge of means to be at the point where something is about to happen. As IBPoC, we know what it’s like to be on outer margins, but we also know what it is to come together and re-centre those margins. IBPoC artists have always created innovative and bold work, and we know that the arts can help push our culture into the equitable, anti-racist, and anti-oppressive future we are all striving to create. The work of IBPoC artists is vital to that movement, and conVERGE, as a program designed, produced by, and for IBPoC, aims to facilitate connections and amplify local IBPoC work and perspectives.
The 2025 residency in brief:
– A two-part studio residency at the Intrepid Theatre Club for development and creation space. Part 1 of the residency will be a maximum of 30 hours of studio time in October, November, and/or December 2025, and Part 2 will be an additional 10 hours of studio time scheduled in early 2025. Specific times and dates will be determined in consultation with the selected artist.
– 10 hours of collaboration time with a paid IBPoC professional mentor in an area of focus chosen by the selected artist.
– The opportunity to present an online reading or workshop presentation; if public health guidelines permit, a mini live invited performance at the Intrepid Studio; and/or an online community gathering.
– 4 hours of additional mentorship time and production/development support from conVERGE producer and program mentor Mercedes Bátiz-Benét.
– Ongoing administrative/technical support from the Intrepid Theatre as it relates to their studio time.
– An honorarium of $1,000.
For conVERGE to offer the selected artists what they need and want to be able to develop their work, each residency will be customized based on input received in the applications. The application asks artists to consider the components offered in the residency and express what they think is important, what should be prioritized, and how they will use the components for their proposed project or idea.
How To Apply
Submit your answers to the questions outlined in the conVERGE Application PDF as a written document, video recording or audio recording to
mercedes@puentetheatre.ca
If you have any access needs that we can support, or questions, please contact Mercedes at mercedes@puentetheatre.ca. Phone or video calls can be arranged through email.
Feedback from past conVERGE Artists:
“The mentorship was very beneficial for me. I had wanted to connect with Mercedes since I came to Canada so conVERGE was the perfect opportunity for that. I am incredibly gratedful that she was able to mentor me personally in my project. Also, having a space and time specifically dedicated to development of my piece was extremely beneficial.”
– Regina Rios
“conVERGE helped me discover a whole part of who I am as an artist. It gave me the support to be able to dive into my culture, which I had been wanting to work on as an artist but didn’t know how to approach it before. Having the opportunity to do this residency helped me feel more confident as an artist and makes me feel confident that I am going the right direction with my career. This program also opened up opportunities and new doors, such as supporting a Canada Council Grant to continue developing my conVERGE project into a full-length piece.”
– Olivia Wheeler
Past conVERGE Artists:
2024
Francis Matheu is an emerging Filipino theatre artist in Victoria. He debuted as a director/actor in Canada with Theatre Inconnu and Bayanihan Creative Collective’s production of Pepe in 2023. Selected directorial credits include Now and Then (Langham Court Theatre,) Animal Farm (Lawyers On Stage Theatre Society,) and Vinegar Tom (Phoenix Theatre.) He was a co-creative collaborator in im:print 2024, and the assistant director for Greater Victoria Theatre Festival’s Much Ado About Nothing and Blue Bridges Theatre’s productions of Misery and Hedda Gabler. He serves as a co-artistic collaborator for Bayanihan Creative Collective and sits on the board of Theatre SKAM, Between Words Theatre, and The Greater Victoria Theatre Collective Association. Francis holds an MFA in Directing from the University of Victoria.
2022
Chai Sullivan (April 2022)
Chai, 21 is an emerging neo-soul singer-songwriter, producer and dancer based in Victoria, BC. Her style incorporates organic instrumentals with dreamlike soundscapes, soulful vocals and honest lyrics.
My project is to complete and perform my debut EP “Dunno.”
Dunno explores my first experiences defining love in its many forms – through the lens of a self-raised young woman growing increasingly (and deceivingly) confident & tenacious – as a semi-conscious act of resistance to her environment; a primarily white and antiquated town.
Being selected for this residency gives me the space, time and guidance needed to revisit existing pieces of my project and refine them to a level that aligns with the quality of work I want to share with the world. My songs that have been on the backburner can finally take center stage and help me define my sound in the world of neo-soul.
Amira Rose Abdel-Malek (May 2022)
Amira Rose Abdel-Malek is an award winning recent graduate of the Master’s program in Child and Youth Care at the University of Victoria which resides on the traditional territories of the lək̓ʷəŋən People known today as the Songhees, Esquimalt and W̱SÁNEĆ peoples. As a mixed person (Egyptian, Irish & English), Amira’s hybrid-identity and mixed-ability family informs her ethics of care and dedication to community wellbeing through the arts. Her background includes bringing artistic opportunities to a variety of settings in her work with children, young people, and families, including at the Victoria Immigrant and Refugee Centre Society and the Shelbourne Community Kitchen. More recently, she co-facilitated the Garth Homer Society’s Drama Program by supporting their artists in performance, story, set and puppet-making, as well as co-writing and recording original songs.
Amira has experience with many modes of theatrical expression. She has received training in multiple types of puppetry with Tim Gosley and SNAFU’s Ingrid Hanson and Kathleen Greenfield, as well as Therapeutic Puppetry and Clowning with the international organization Nose-to-Nose. Highlights from her work include puppeteering giant puppets for the artist Roy Henry Vickers’s Peace Dancer (2017/2019) and shadow puppeteering for Theatre Inconnu in Dead Man’s Cell Phone (2019). Amira’s has also dabbled in stop-motion animation, shooting, performing, and co-editing music videos for the psych-rock band Grimwood’s “Lil’ Bandit,” with face paint on live models, and electronic music artist Cougher’s “High Speed Hallucinations,” using silhouettes with an ‘old-school’ overhead projector.
Amira is excited and grateful to have the opportunity to receive creative mentorship through the conVERGE micro-residency with Intrepid and Puente Theatre to continue her work on a short piece called The Clever Prince. This project is a multi-level narrative that includes a mix of tales from the 1001 Nights tradition and real-world stories inspired by Amira’s father’s own life experiences. Using a variety of types of puppets, including object, stick, and overhead projectors The Clever Prince tells a story of adventure and magic, exploring themes of friendship, the corruption of authority, and
migration and transformation. The Clever Prince promises to take audiences on a whimsical ride into the unique and the familiar, from poetry to pomegranates!
“This opportunity for mentorship and supportive space fulfills my dreams of being a storyteller and is one I cherish. I look forward to taking my artistic abilities into the next phase and share this knowledge in my work with young artists in my community.”
Niah Davis (June 2022)
Niah Davis is a nonbinary, mixed race, emerging artist based in Victoria BC (W̱SÁNEĆ and Lkwungen territories). Niah is a graduate of the Canadian College of Performing Arts’ Enriched Performing Arts, and Applied Performing Arts diploma program. There, they developed their skills as a performer, playwright, and director. As a part of the New Works Festival in their second year, they collaborated with a local musician and songwriter to create Lilies: an original musical. The experience inspired them to pursue a future in the development of new work. They set their sights on cultivating their skills as a director and playwright and began applying for theatre residencies. After receiving a spot in Puente Theatre’s WorkPlay residency last year, they started writing their play Gorgó, a retelling of Medusa’s myth. Currently they are in rehearsals, partially staging the piece for a public performance.
My project Gorgó is based on Ovid and Hesiod’s ancient Greek myths about Medusa. It’s an interdisciplinary piece; a play with elements of music, dance, and physical theatre. For the music, I have incorporated ancient Greek music and poetry, as well as original songs and vocal harmonies/melodies. The play is an origin story for the famous gorgon, where she herself takes us through her memories when she was still a young girl fighting against a devastating prophecy.
My goal was to not only get it as culturally and historically accurate as possible but to also address topics like sexism, gender identity, patriarchal power structures, and sexual assault. I wanted to combine both the Greek and Roman versions to explore and further build upon her story in a way that current audiences would understand and possibly relate to. These are topics which are especially important to me as an afab nonbinary person, and as someone who has intergenerational trauma connected to sexual assault.
But I am so thankful to have been given the opportunity to further workshop my play during the conVERGE residency. While developing the piece, I took on the roles of sound designer, music director, prop master, costume designer, choreographer and stage manager. This was all on top of being the director and playwright as well. Some of my actors were kind enough to offer their assistance during the process, but handling so many tasks presented many challenges for me. I have yet to fully experience the process of self-producing a play, and so this residency will be extremely beneficial in teaching me how to do so with personalized mentoring. It’ll help me pave a clear path forward so my future work has a chance of being professionally produced and shared with bigger audiences. Slowly but surely, I’ll work towards that goal and I’m very grateful Intrepid Theatre and Puente Theatre will be a part of that journey.
Past conVERGE Mentors:
Hanorah
Mentor for Chai Sullivan | conVERGE program mentor
Canadian singer-songwriter Hanorah grew up to the sound of the classic rock and soul
music her parents were fond of. Early on, she developed a passion for powerful vocalists,
such as Etta James, Amy Winehouse and Joss Stone (to whom she has been compared
many times). Following a sexual assault in 2012, she plunged into a state of deep
distress. After seeking psychological help and reading testimonies of other survivors, she
decided to dive head first into songwriting. Her chance meeting with guitarist Paul De Rita
(who became her partner and closest collaborator) marked a creative turning point.
Hanorah signed with Dare to Care Records and released her debut EP ‘For The Good
And The Bad Guys’. In 2019, the young artist toured Canada as an opening act for
international artist Coeur de Pirate; won the FEQ (Festival d’Été de Québec) contest and
grant; and secured slots at Ottawa Bluesfest, POP Montreal (with Mavis Staples),
International Jazz Fest of Montreal, and more.
Her debut EP has since amassed more
than a million and half streams and counting with a live video concert being debut
released through ELLE Canada. Most recently, Hanorah signed with Ensoul Records and
is working on her first full length album set for release in 2022.
Izad Etemadi
Mentor for Amira Rose Abdel-Malek/ conVERGE Program Mentor
Izad Etemadi is an Iranian-Canadian actor and writer based out of Toronto. Born in Germany and raised in Victoria, BC, he is a graduate of the Canadian College of Performing Arts. After relocating to Toronto, Izad won the Emerging Queer Artist award from Buddies in Bad Times Theatre in 2017. Represented by the Characters Talent Agency, he plays Simon on Overlord and The Underwoods (CBC/Nickelodeon), Kevon on Revenge of the Black Best Friend (CBC)and is currently a resident of the 2021 CBC Actors Conservatory at the Canadian Film Centre
Most recently, he originated the role of Samuel in the new Canadian musical Grow (from the producers of Come From Away). Since 2014, Izad has written and starred in several solo comedy shows that have sold out across the country and earned Izad awards including the 2016 Broadway World award for Best Independent Production. As a screenwriter, he is working on shows in development and production with Shaftesbury Kids, Family Channel, and OUTtv. His work uses comedy to explore issues of queer identity, immigration, body image, and the terrors of being a millennial.
Seri Yanai
Mentor for Olivia Wheeler
Seri Yanai is a visual artist, performer and theatre director based in Japan. She is known for her innovative and cinematic shadow puppetry. She is the executive director of the Mochinosha Puppet Company, which she co-founded in 2012. She has directed and performed numerous award-winning plays, which have toured in eight countries and been performed in English, Japanese, Chinese and Portuguese.
Her most recent work, a musical adaptation of Charles Dickens’ A Christmas Carol, was given the rare honour of being featured in the 2021 edition of Japan’s international Theatre yearbook. Recently she has been experimenting with video based shadow art to produce a music video and several short films.
